Saturday, August 29, 2026

Rocking the Rakhi: A Re-look at a Righteous Ritual



9:30 AM. I am pacing up and down the corridor opposite the ICU, awaiting updates on Dad’s progress while the doctors make their rounds inside. My phone rings - it’s my sister. I assume she is calling for news, but after a brief check-in, she wishes me a Happy Rakhi. I wish her back, albeit reluctantly.


It isn't because I don’t love her. We are thick as thieves, despite our differences, conflicting outlooks, and the constraints of time and distance. Yet, I struggle with how to tell her how much my perspective has changed. Knowing how deeply she values tradition, I wonder if the truth would be difficult for her to hear.


There was a time when I eagerly looked forward to that thread around my wrist. I wanted to celebrate our bond, buy her gifts, and fulfill the traditional role of a brother. I did all of that and more. But over time, through reading, observation, and quiet contemplation, my view of these celebrations shifted. Why must we rely on a sacred thread to declare that a woman needs protection - or that a brother will invariably stand by her? What happens if that sister falls in love with someone outside her caste or religion? Will her "bhaiyya" still stand up for her then? If she charts an independent course in life, or reveals that she is queer, does that protective bond endure? (The same questions, of course, apply in reverse).


The habit of turning acquaintances into surrogate siblings feels like a uniquely South Asian custom - one that likely birthed the ritual of Rakhi itself. Historically, it served as a social mechanism to police male desire and enforce female safety under the guise of pseudo-familial protection: "Look at her without desire, for she is now your sister."


Though predominantly a North Indian tradition, Rakhi has gained widespread popularity in Southern India over the last few decades. Southern states have their own sibling-focused festivals, such as Naga Panchami in Karnataka or Nagula Chaviti in Andhra Pradesh and Telangana. While historically more austere than showy, these practices carry their own superstitions. Devotees visit anthills - believed to be the abodes of cobras - to pour milk into the vents. Even after centuries of modern science, basic biological facts remain overlooked: cobras, like all snakes, do not drink milk. 


Growing up in a small town, my first exposure to Rakhi was seeing Marwari schoolmates (often called "Sethu boys") wearing shiny, glittery wristbands. At the time, I assumed it was merely their version of the sacred threads tied during regional festivals like Deepavali or Gowri Pooja.


In everyday society, tying a Rakhi is used to "sanctify" relationships between young men and women. Parents often encourage daughters to tie Rakhis on boys in the neighborhood to deter romantic interest and shield them from gossip. By reframing a friendship as a sibling bond, young people can interact without raising eyebrows in a culture deeply uncomfortable with platonic inter-gender dynamics - a discomfort actively policed by moral vigilante groups like Sri Rama Sene and Bajrang Dal.


This rigid dynamic raises several unsettling questions:

  • Why must interactions between men and women be strictly compartmentalized into either formal siblings or romantic partners?
  • Why is genuine platonic friendship or respectful camaraderie so rarely recognized as valid on its own?
  • Can a single ritual thread truly purify hidden motives or alter genuine human emotions overnight, like the instant redemption of a movie villain?

Beyond sibling dynamics, many traditional practices have been heavily commercialized into photo-ops, jewelry advertisements, and consumerist rushes. Yet, when culture faces modern scrutiny, conservative backlash is swift, as seen in the recent outrage over actor Kriti Sanon wearing western attire in a Rakhi advertisement.


This friction highlights how many traditional celebrations continue to cloak patriarchal norms in ritual sanctity:

  • Fasting Rituals: Practices like Karwa Chauth in the North, or Bheemana Amavasye in Karnataka, require women to fast for the longevity or procurement of a husband. Married women worship their husband's feet and pray for his strength, reinforcing the idea that a woman’s devotion centres entirely on her partner’s well-being.
  • Mythological Narratives: Rituals like Tulsi Puja trace back to myths - such as the story of Vrinda and Jalandhara - where a woman's agency and chastity are compromised by divine deception for a "greater good."
  • Matrimonial Customs: Wedding rites explicitly frame the bride as a transactional entity. The concept of Kanyadaan translates literally to the "donation" or "giving away" of a daughter, stripping her of independent agency. The bride's family is expected to shoulder the entire financial burden while enduring social scrutiny. Ceremonies often include humiliating customs where the bride's parents wash the groom's feet or symbolically beg him to proceed with the marriage. Even daily language reflects this hierarchy: in Kannada, the common word for husband, Yajamana, translates directly to "owner" or "master," whereas the neutral term GaNDa is rarely used.

Progressive momentum on these fronts seems to have stalled. While the late 20th century saw strides toward social movement, recent decades have witnessed a resurgence of cultural conservatism. The rise of digital platforms has amplified demands to enforce traditional gender roles, shrinking our collective appetite for nuance and difference.


Ultimately, the solemnisation of these traditions warrants a critical re-examination. Tying protection to compulsory ritualism rather than mutual respect does not make a society safer; it merely limits how people are allowed to relate to one another. Real progress requires moving past rituals that treat safety as a transaction and women as dependents, and making space for genuine equality, respect, and unforced friendship between genders.


Tailpiece 1

The dichotomy of labelling women as Abala (weak) while worshipping them as Shakti (strength) exposes a deeply rooted cultural paradox. The term abala ensures women are treated as fragile and dependent - needing male protection through rituals like Raksha Bandhan that subtly reinforce patriarchal hierarchy. Meanwhile, because Shakti is safely placed on a pedestal as divine, any real woman who asserts independence or agency is vilified or isolated as an aberration.



Tailpiece 2

Predictably, critics will ask: "Why focus on these practices? Don't other religions have regressive traditions too?"


Undoubtedly, every major faith contains practices that undermine the dignity of women. However, I speak on what I know and have experienced firsthand; my knowledge of other traditions is far too limited to offer meaningful critique. To those pointing fingers elsewhere: I encourage you to raise your voice against those injustices too. If you do, you will have my unflinching support.

Friday, August 28, 2026

The Single Pill

 



Every ailment must have a remedy wrapped in a single pill. Not a cocktail of prescriptions, not a lifelong regimen - just one dose. You pop it, and the suffering vanishes. Headache? Pop a pill. Toothache? Pop a pill, and in no time, experience absolute relief.

This magic ought to extend to the mind as well. One pill per condition. You are wrestling with an internal toxicity, unable to summon a single positive thought about anything or anyone. Just pop the pill. Voila! The shadow lifts. Feeling depressed? Lacking confidence? Paralyzed by anxiety? Take the pill, if you will, and just chill.


Crucially, this pill must leave no collateral damage. Today’s reality is a cruel trade-off: you take a pill to vanish a headache, but it yields heartburn. You treat the heartburn, and it kills your sex drive. You boost your libido, but it sparks high blood pressure. You control the blood pressure, only to gain weight. You fight obesity, and you end up diabetic. The ideal pill cannot operate on such compromises. It must relieve the pain while leaving everything else untouched—striking with the precise perfection of Arjuna’s arrow hitting the bird’s eye. No deviation, no collateral harm.


Furthermore, this remedy must be universal, treating any condition, and easily accessible over the counter. It should be inexpensive enough for the poorest to afford. Not free, mind you, but within everyone’s grasp! Because every genuine cure demands a cost.


I know there is no such pill. I know there never will be. Yet this is what we crave: an instant cure, a magical escape from human frailty. In our endless pursuit of quick fixes, we have only compounded our misery.


Look closely at our faces; they are deeply furrowed, heavily lined with worry. Is it because we lack basic necessities? Rarely. It is because whatever we possess is never enough. We systematically unlearn how to smile, forgetting to appreciate our fortunes and our lives. We habitually measure our lot against those who have more, completely blind to the millions who have far less. Their struggle doesn't move us. We offer no help, no empathy - shooing them away as if they were pests or mongrels.


We search the heavens and the pharmacies for a miracle to cure our inner rot, stubbornly ignoring the only medicine that has ever actually worked. We want a cheap chemical to grant us peace, yet we refuse to pay the tiny price of contentment. The real tragedy isn't that the pill doesn't exist; it's that if it did, we would probably complain about the taste.

Tuesday, August 25, 2026

Hair Today…….Tomorrow!

Smarting me…


 I was returning from a long evening walk - a rare luxury lately - when an acquaintance bumped into me. We started with the standard professional small talk, but just as I prepared to bow out, he leaned in.

“Mind if I ask you something personal?”

“Go ahead,” I said.

“Do you dye your hair?”

I blinked. It had been years since anyone asked me that. “No.”

“Then why is your beard snow-white while your head is barely salt-and-pepper?”

“I wish I knew.” He stayed quiet for a moment. I thought maybe this is the end of it. It was just beginning. 


“Maybe you’re trying to copy Amitabh Bachchan,” he mused.

“In what way?”

“Well, he has a white beard and salt-and-pepper hair. Like yours”. 

“Amitabh wears a toupee, for God’s sake!”

He squinted, scanning my hairline like a forensic investigator. “Well... you might need one pretty soon yourself.”


I felt a sudden heat rising under my collar. “Why in the world would I wear a wig?”

“Aren’t you going bald? And, pretty fast of late”. 

“So what if my hair’s thinning?”

“Vanity. Your colourful shirts and hair gel,” he declared, adopting the solemn tone of a soothsayer. “You still want to look young. And, vanity cannot tolerate baldness.”

“Aren't you assuming a bit much?” Why was he being so accurate? 

“Just my professional assessment of you.”


Everyone, it seems, is a certified judge these days.  I smiled (and believe me, it wasn’t easy). “Tell you what - if I ever go bald, I’ll just start charging people for all the advice they give me about it.”


And with that, I bailed out, leaving him to appraise the back of my very real hair. Till it lasts!

Sunday, August 09, 2026

Echoes at Dawn

 


There is a bard 

Within me, 

I’m sure.


Struggling against 

The bondage, 

Bound by the skeleton 

Of the mind.


Yearning to break free, 

Fighting against 

The stupor 

Induced by wine

Mortified by the fear 

Of turning prosaic.


The bard hears 

His own songs, 

Reverberating through 

Dark innards, 

Reaching for light, 

Aching for release.


I hear them too, 

In sleep and dreams

Leaving no trace 

When I wake.


Monday, August 03, 2026

The Odyssey: Review



 Watched The Odyssey at last. Had this been directed by a rookie, I’d call it a well-made, watchable epic, but for Christopher Nolan, it’s a genuine letdown.


The film hyper-focuses on Odysseus at the expense of almost everyone else (save for Telemachus). Instead of rich mythic figures, the supporting cast is reduced to cardboard cutouts. And despite swallowing nearly three hours of runtime, Odysseus himself feels one-note: a brooding, repentant soldier - even honourable - reconciling with fate. Something Homer didn’t create him as. 


The media frenzy over the casting (Lupita Nyong’o and Elliot Page) feels almost absurd in hindsight - Lupita gets a scene and a half, and Page barely gets one. They, along with Zendaya and Charlize Theron, feel completely wasted and were clearly hired just to put big names on the poster. They have agreed too, only because of Nolan (and a fat paycheque). 


What keeps you in your seat is the raw talent on display. Matt Damon carries the weight well, Robert Pattinson steals scenes as Antinous, and Anne Hathaway brings competence to Penelope despite a criminal lack of screen time. On the flip side, Tom Holland feels like the cast's weak link.


Visually, the real-world locations are stunning (even if the visual effects barely pass muster). The background score by Ludwig Goransson works extremely well - blends with the narration and becomes a part of it unobtrusively. 


Recommended only for hardcore Nolan completists. Definitely not worth the steep markup for an IMAX ticket.

Rating: ⭐️⭐️

Thursday, July 30, 2026

It is Back!



 Over the last week, I had developed an intense backache. Actually, a relapse of an old problem! Despite powering through my usual exercises and visiting a therapist, the pain refused to budge. I couldn’t sit. I barely could move. Seeing my misery, a benevolent colleague suggested her own therapist. “He’ll come home and do the session”. She also assured with her words, “He’s been a lifesaver for me.” By evening, contact numbers were exchanged, and we set an appointment for 6:30 the next morning.

The therapist arrived right on time and immediately set to work diagnosing the damage. He started by putting my back through a series of strenuous stretches, noting aloud that several muscle groups were dangerously stiff.

As he pinned my shoulder to hold my upper body still while twisting my spine, I interjected, “Easy there; I have a frozen shoulder.”

Undeterred, he moved down, bending my knees and applying firm pressure. “I’ve had two surgeries on the right knee,” I warned him. “And the left one currently has an ACL tear.”

He gave a slow shake of his head and doggedly went back to business.

Next, he had me sit on my haunches to twist my ankles so I could stretch my glutes. “Ah, I fell down the stairs earlier this year,” I offered. “The ankle hasn’t really healed yet.”

When he asked me to do crunches by extending one leg and folding the other, I brought up my neck spondylitis.

He paused, looked at me, and asked, “Is there anything that doesn’t trouble you, Sir?”

I didn’t miss a beat. “My stomach. Never gives me trouble. My head is fine too, except for the migraines.”

“I meant joints, Sir.”

I’m still thinking. I haven't found a satisfactory answer yet.

Monday, July 06, 2026

Mom Vs My Fashion

Of Carpets and Runners!

“Sudhi…”. Mom called me. “Will you come here for a moment?”

I was just doomscrolling. Reluctantly I left the couch and went to her. “Yes, mom”. 

She took money out of her bag and extended it towards me. “Here”. 

“Why?”

“Your birthday is around the corner. I want you to buy some new clothes for yourself”. 

It’s almost an annual ritual.  Ever since they’ve come to live  with me, mom has been offering me money at my birthday. I did accept when I turned 50 (felt good to be loved and pampered), but not thereafter. 


I gave my usual defence. “I have already bought some, mom”. 

“Already? Show me”. 

“Oh! You don’t believe?”

“I just want to see. I know you love clothes anyway”. 


I sauntered back to my room and picked up the pieces I had carefully curated for my impending big day: a dusty pink shirt with a subtle self-design, and a printed grey-black party shirt. One for the day, one for the evening - just in case I stepped out. I grabbed the matching trousers too


“See. These are the ones”. 

She peered at them, and gave me a thoroughly dismissive look. 


“What?”, I asked. 

“One looks like a table cloth and the other a curtain. Couldn’t you buy any better?”

“Mom, these shirts aren’t cheap. Custom-tailored. They cost me ₹10k!”

“Looks like you want to merge with the doors and windows now”. 

“Mom!”

“And also pay by burning a hole in the pocket!

“I like them”, I said petulantly. 

“I like them too, but on furniture. And you’re not a sofa. Now, go get something that look good on you, and don’t argue”. I opened my mouth but nothing came. And, mom? She had gone back to watching her soap. 


Moms are impossible to please! Why is it that they set some impossible standards for their sons?  I’ve shared the pics of the shirts. Do you agree with her? If yes, help me correctly distinguish the table cloth from the curtain. Thank you!